Saturday, December 29, 2012

Friend of the Devil? No friend of His!

"Friend of the Devil" was one of the most universally popular songs in the Grateful Dead songbook. It tells the story of a man running from the law who gets briefly helped by the Devil, who lends him twenty dollars, only to come back later, taking it back and vanishing in the air. That's most of the story right there, other than the fact that after the Devil loaned him the 'twenty bills,' he spent the night in Utah in a cave up in the hills.

My novel "Friend of the Devil" definitely takes its inspiration from the Dead song. The protagonist, Herber T. Barrow, is also running from the law and he also runs into the Devil. But this time it's Herbert that does the Devil a favor, not the other way around. Without wanting to, he puts the Devil in his debt, and then refuses to let the Devil pay him back. And in a way, that's where the fun starts.

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The Grateful Dead song seems to take place sometime in the mythic Old West. My Friend of the Devil takes place in 1930s Texas, Mississippi, Missouri, and Arkansas. Even so, it's still an age of desperados and lawmen. Herbert, in accordance with time-honored Western tradition, is skedaddling for the border. There, he believes, he'll be able to hide out, albeit in plain view, while working as a singing cowboy on XER the mega-powered "Border Blaster" radio station that sits just across the Rio Grande in Mexico.

Getting there is no easy feat, since neither God nor the Devil is a friend of his!

Following is an excerpt from Friend of the Devil, a novel: 


"From the corner of my eye, I can see him reaching back into his waistcoat pocket, pulling his watch back out and popping open the lid. “All right now,” he says. “Exactly how fast are we going?”

I take a quick look at the speedometer. “Ninety,” I say.

“Ninety,” he says back as he fumbles with the stem on top, turning it and at the same time pulling it up and down. I take another look in the mirror and see that ty he white light has nearly caught up with us, but that it’s already broken up into an array of colors from the rainbow, only they’re all glittering and changing.

Stevens holds the watch up with his thumb on the top button. “Okay,” he says, “get ready. Here we go!” He presses down the top button and immediately it’s like we’re in a small boat carried along by a giant wave. I feel the car lifting from the back and we’re rolling and swaying and the blackness has turned to light, only now it’s like we’re on a river inside a bank of fog.

“All right,” says Stevens, turning around and facing forward on his seat. “That’s that!” He smiles like he’s very satisfied with himself.

“That’s what?” I ask. “Where are we?”

“We’re neither here nor there,” he declares happily. “It might just be a good time to light up one of them reefers you got in your shirt pocket.”

Sunday, December 23, 2012

A Godsend for Bonnie and Clyde


Clyde Barrow and Bonnie Parker both knew they were going to die. There was no doubt in their minds that they would meet their end in a hail of bullets. All they asked of God was that they'd go down together.

Dying was fine by them. What made it worthwhile was knowing that they were on the front page of the newspapers. They were celebrities. The public loved them. The public hated them. It really made no difference to Bonnie and Clyde, because at least the public knew who they were. And for a couple of kids from a nowhere place like West Dallas, that was quite an accomplishment.

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Herbert T Barrow, on the other hand, did not quite share their enthusiasm for celebrity. Having been a Marine in France during the Great War, he already knew more about killing and dying than either his young cousin Clyde or Bonnie ever would. All he really wanted in life was to play Jazz, smoke reefer and love him some women. Herbert didn't ask anything of God, because Herbert was an atheist and he had no doubt that the whole idea of God, the Devil and the Sweet Hereafter was a giant crock of shit. As for his bloodthirsty young cousin and his alleycat girlfriend, Herbert didn't see why he couldn't just keep out of their way as he high-tailed it from Knoxville Tennessee to the Mexican Border with the laws hot on his trail..


But fate and/or the collusion of the deities soon forces Herbert into their arms and before he knows it, he has unwillingly become the newest member of their criminal gang and also the focus of media attention. To Bonnie and Clyde, Herbert is a godsend.  Before he appeared, Bonnie was wounded, they were in hiding, and the public's interest in them seemed to be fading with each passing day.  It didn't matter that Herbert refused to carry a gun when he carried the crippled Bonnie in with him whenever they knocked over gas stations and grocery stores. Having Herbert there with them, sparked the public imagination and got them back on the front page of newspapers. Without them ever announcing it, folks already knew that the Barrow Gang's newest member was Clyde's older cousin and, technically speaking, its original founder, since, as the papers were now reporting, Herbert and Clyde's late older brother, Buck, had been breaking into stores and warehouses back when Clyde was still a kid.

Much as Clyde might like their big boost in media popularity, it rankles him no end that the people believe that Herbert is the outfit's new "criminal mastermind." Herbert, of course, wants none of it. He can't imagine how anybody could know anything about the anonymous midnight breakins that he and Buck Barrow had pulled off more than ten years earlier. The last thing he wants is fame. He's happy to be a faceless street musician. To him, his celebrated hosts are nothing but a couple of two-bit hoodlums, vain, vicious, and both mean as snakes.  He's already seen enough violence and killing in the war. He's made his peace and would personally rather die than carry a gun again. 

What Herbert doesn't understand is that God and the Devil have their own plans, none of which involve him refusing to pick up a gun when the time came.


Following is an excerpt from Friend of the Devil:

"Clyde creeps back and forth from window to doorway, checking on the disposition of the enemy. Then he crawls into the kitchen to see how I’m doing.


“That was some good shooting, Boog,” he says.

I don’t say anything.

“Is that what you did in the war? Shoot like that?”

I don’t say anything to that either. In my mind, I’m a Marine, back in France again with the trenches and the mud and the barbed wire and all the dead lying out there, day in and day out, and remembering how they were the first things I taught myself to stop seeing. And I think about all the other things I had to get good at doing so’s I wouldn’t end up one of them corpses myself; things like knowing exactly when to duck, keeping low and crawling through the mud like a rat; killing without mercy and loving the feeling of grabbing someone and holding them close enough to feel their breath when you put a knife into them. And I learned about switching off all my human feelings so that I wouldn’t be howling and crying with grief every time one of my buddies got killed. I did all that because that’s what you had to do if you were going to survive. Most couldn’t and most didn’t, but I did and survived only because I’d let myself become as ugly and horrible as a man can be. Then one day I couldn’t do it anymore. I made a promise I wouldn’t do no more killing no matter what. And I told that to the sergeant and the sergeant told the captain and the captain threatened to shoot me for cowardice and I told him to go right ahead because I’d rather that than have to kill any more German boys. And maybe they would have shot me, except next thing was the Armistice and instead of shooting me, they slapped me on the back and gave me a medal.

“Boog,” says Clyde, “Now, you know I’m a proud man, but dang it, when I’m wrong, Imo stand up and let the world know. Now, all this time I thought you was a coward, but you showed that you’re a real man. So for that I apologize to you. Do you hear me, Sis?”

I hear a loud sniff from the parlor. “Oh, Daddy,” she says. “I’m just so...” and her voice chokes with emotion.

Clyde looks at me jovially. “So what do you say, Boog?”

I don’t know that I’m going to say anything, but it just comes out. “Clyde,” I say, “you and Bonnie think that just because they write about you in drugstore picture magazines, you all are something special, but you’re really just a couple of lousy, two-bit punks.”

I watch Clyde’s jaw drop. His surprise turns to fury and suddenly he and I are staring bloody knives at each other. I guess I must be smiling at him from the way the corners of my mouth feel bunched up, and I got my finger on the BAR’s trigger and I know he’s got his on the Thompson’s. Come on Clyde, I’m thinking. We can do it. Just make your move. I’ll kill you, no problem at all.

“Hey, you two, what’s going on in there?” demands Bonnie sharply.

Clyde and I continue to stare at each other. But then he takes his finger off the trigger and very deliberately lets his hand rest on the drum magazine. My hand stays right where it is. Clyde looks at my like he’s not sure what he could have done to make me angry. “Well, then, in that case, I’m very sorry you feel this way, cousin,” he says quietly, and starts crawling back into the parlor and Bonnie’s waiting arms. I can hear them going into their tearful, oh Daddy/aw Sis, bill-and-cooing. A minute later, the shooting starts up again, but this time it all seems listless, like dinnertime ain’t for another two hours and this is the only thing they know how to do.

But then Hamer’s men start shooting again and Clyde’s got the Thompson back in his hands and he’s back at the window firing at them, cursing them, calling them sons a bitches and taunting them to come on out and attack him fair and square. I run to the front door and empty the rest of the clip at them, put in a new one and use most of that up, too. They shoot, we shoot and it goes on like this for a few more minutes and then it stops and the three of us are left in silence.

I go back to my post in the kitchen and, for a long time, I sit motionless watching the golden reflection of the evening sun fading upon the kitchen wall. Okay, so maybe my life hasn’t exactly been exemplary. Yeah, I’ve boosted things here and there and robbed a couple stores. I vowed never to kill again, never vowed nothing about sticking to the straight-and-narrow. But, of course, none of that’s got anything to do with why I ended up in this situation. If there is a flaw in my character what got me in this situation, it ain’t that I pulled a couple stickup jobs, it’s that I gave a ride to an old hairy-face country preacher, when my better judgment told me to just keep-a-going right past his sorry self."

Written by Brendan McNally

Saturday, December 15, 2012

On the 50th Anniversary of the JFK Assassination, We Ponder; What Was the Great Dallas Novel?

They came back to Dallas to film it and record all its craziness. By accident they film JFK's killers. They try to tell the world, but a friend leaves a goat in their bathroom. It gets out and eats the film.  Dang! with a Big D! Bud Shrake's acid-enriched epic Strange Peaches might just be the Great Dallas Novel. Or maybe it's Brian Wooley's November 22, or Peter Gent's North Dallas 40. By rights it should be Doctor Strangelove, by Terry Southern, only Doctor Strangelove was a movie not a novel, and it wasn't about Dallas at all, though actually, it was.

There's more to Dallas, Texas than Football, JR, and the Kennedy Assassination.  There is Bonnie & Clyde, West Dallas,  rampant sex and drug use through the years, interference by Hindu gods, extreme rightwing nut jobs, extreme wealth and power, football, and, what the hell, the Kennedy Assassination.  In eleven months it'll be fifty years and the city fathers still haven't quite gotten past it.  Somewhere in the course of all of it,  some great books got written, that are mostly forgotten, but all worth remembering.

The Book of DallasHere is an article I did for D Magazine on the "Great Dallas Novel,"   I start off talking about Terry Southern, the great, Dallas-born satirist and hipster-king.  His life should have been the Great Dallas Novel.  Go watch Doctor Strangelove and know how completely it was informed by his growing up in Big D before the war.

Enjoy!

http://www.dmagazine.com/Home/D_Magazine/2011/August/The_Great_Dallas_Novel.aspx



Thursday, December 13, 2012

Ten Interview Questions for the Next Big Thing

I've been invited to participate in the Next Big Thing blog series by my friend and colleague Victoria Dougherty: www.victoriadougherty.wordpress.com

The point of this is to connect writers with each other and to build up a cross-publicizing synergy. Here are my answers to the questions about my writing and my current project.

1. What is the working title of your book? 
"Friend of the Devil."

2. Where did the idea come from for the book?
From a song by the Grateful Dead and also my endless interest in 1930s music, the blues, early "hipster/viper" culture, and Bonnie and Clyde. I also wondered what would happen if a staunch atheist ran into the devil and God first-hand and still refused to believe.

3. What genre does your book fall under?
Historical fiction, dark comedy, crime, thriller, paranormal.

4. Which actors would you choose to play your characters in a movie rendition?
Johnny Depp.

5. What is the one-sentence synopsis of your book?
Atheist bluesman on run from the law gets entangled with Bonnie, Clyde, God and the devil.

6. Will your book be self-published or represented by an agency?
Self-published.

7. How long did it take you to write the first draft of the manuscript?
A year.

8. What other books would your compare this story to within your genre?
Angelheart.

9. Who or what inspired you to write this book?
Having lived in the South, including time in the Appalachians, I was familiar with the "Jack" stories about a man meeting the devil at the Crossroads, where he'd either outsmart the devil or have picked up powers from the devil.

10. What else about your book might pique the reader's interest?

Blues, reefer, Mexican Border Blaster radio, and goat glands.

And here are links to my fellow writers' blogs who have answered questions about their work: Stewart Moore, a graphic novelist and painter, who is known to sometimes paint in wine, http://wineink.blogspot.cz/ , Victoria Dougherty, an author of paranormal, Cold-War spy novels with a black, sassy heart, www.victoriadougherty.wordpress.com , and Charles McCain, author of An Honorable German, a great WWII adventure novel that takes you from the pocket battleship Graf Spee to a commerce raider to a U-Boat to a POW camp in Alabama  http://blog.charlesmccain.com/ .

Monday, December 3, 2012

100 Baby Chicks (John R. WLAC)

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John R. never worked on the Border Blaster. But he had all the hallmarks of a great old-time radio announcer. He talked like he was black, and he was endlessly enterpreneuring. Just like that greatest Border Blaster DJ of all times, Wolfman Jack. Listen as he sells 100 baby chicks, which is one of the things that Border Blaster guys were always selling. Herbert Barrow, the hero of my novel, Friend of the Devil, would
definitely have ended up sounding like this guy, given a couple of more years behind the mic. Enjoy!

http://www.youtube.com/watch?v=C5Xr0CRVT6k

Friday, November 30, 2012

Interview with Susan Owens, Playmate Turned Perfumer to the Stars

Interview with Susan B. Owens, creator of Child Perfume. From Playmate to Rockstar Girlfriend to Perfumer to Hollywood, and East Dallas Coffee Pal. Read the full article here in D Magazine:
http://www.dmagazine.com/Home/D_Magazine/2010/January/Q_and_A_With_Susan_D_Owens.aspx
Susan was also the inspiration for the character Rose Dawn in my novel Friend of the Devil (available on Kindle here).

Monday, November 26, 2012

Walter Schellenberg: SS Spymaster Genius or Total Putz


There is something about SS Spymaster Walter Schellenberg that sets him apart from most of the other Nazi bigwigs. He's a lot like Albert Speer in that what's at stake isn't so much what he was, as much as what we need to see him as. Speer is often seen as "the nice Nazi," Schellenberg is a little different from that. Nobody needs to see him as "nice," but there is still this tendency to perceive him as different from all the other evil, knee-jerk, cardboard character Nazi baddies. Unlike all the others, Schellenberg is almost someone we can relate to.

Anyone who reads spy/intrigue/thriller fiction set in Nazi Germany during World War II probably will have encountered Walter Schellenberg at least a dozen times. In whatever particular story you're reading, he's the SS spy chief, whom the protagonist meets just after the first or second plot twist. He's the SS general who is not an evil Nazi ogre, nor is he the smooth, worldly and cultured Nazi who turns out to be utterly twisted. No, Schellenberg is the apparently rational, highly competent, non-fanatic spymaster who has a unique proposition for the protagonist which usually involves him working together with a German opposite number with whom he has much in common, and might ultimately consider a friend until the final reel, when he kills him, or doesn't because it turns out he's actually Jewish or something else in keeping with the genre. 



Whatever the case, Schellenberg is the one hoping to cut a deal, because, unlike all the other die-hard fanatics, he actually grasped the ugly reality of the situation Germany had put itself into. And in this sense alone, the Walter Schellenberg of popular literature did resemble the Walter Schellenberg of reality.  He was the SS Spy Chief who was desperately trying to engineer a peace deal between Nazi Germany and the West. He'd probably had some low-level discussions going on via intermediaries as early as 1942 in places like Lisbon. But in the Spring of 1945, the writing was on the wall for anyone who wasn't totally deluded. At this point, Schellenberg had much higher level discussions going on with the Western Allies in Stockholm. They weren't actual peace negotiations as much as they were an ongoing prelude to peace talks, and they were permanently snagged on one big point.  The Allied representatives made it clear to Schellenberg that there couldn't be any real discussions unless Hitler was removed from office. He could be deposed, assassinated, arrested, or merely persuaded to step down. But until that happened, there could be nothing.

It was a reasonable precondition to peace discussions. The problem was, that Reichsfuhrer SS Heinrich Himmler, the man Schellenberg hoped would be an acceptable alternative to Hitler, was a hopeless waffler. As much as Himmler believed he ought to be the man who'd lead Nazi Germany into a Grand Alliance with the West against Russia, he couldn't quite bring himself to actually confront Hitler or move against him. It is also at this point where the whole mythology of SS General Walter Schellenberg, the cooly competent spymaster, collapses into slapstick comedy.

Schellenberg wasn't particularly different from the horde of ambitious young men who found their way into the Nazi Party and then the SS in the period immediately following Hitler's ascendency to power in 1933. He'd gone to university first studying medicine, then switching to law. Presumably Schellenberg became a Nazi not out of any grand conviction, but because that was where the opportunity was. He joined the SS and found his way into the counter-intelligence branch of the SD, the SS's burgeoning security apparatus, which was already a confusing mass of departments and sections all vying against each other for power. Luckily for Schellenberg, he was able to attach himself to another rising star, Reinhardt Heydrich.

But what really insured his rise above all the competition was one supremely ballsy feat, which he pulled off early in the war. He got through to some top-level British intelligence officials operating in then still-neutral Holland and created for them the impression that there was a group of discontented German Army officers who might be convinced to depose the Fuhrer. A number of meetings took place and everything seemed to be going positively as far as the Brits were concerned. Another meeting was arranged, this time at the tables outside a cafe in Venlo, a Dutch town, just across the German border. The two British officers were there along with a Dutch colleague. This time one of the disaffected Wehrmacht officers was actually an SS Major named Schellenberg. The trap was sprung, a gunfight ensued and the next thing anyone knew, the Dutch agent was shot dead, and the two British officers had been whisked across the border and into German imprisonment. Not long after that, Schellenberg was made head of SS foreign intelligence.

But despite all the hype, Schellenberg's performance as a spymaster wasn't actually anything great. Most of what he knew about the spy business came from all the cheap, pulpy spy novels he'd read. It wasn't entirely his fault. As much as Germany might have had a long history as a police state, when it came to foreign intelligence, all their continual regime changing meant they were perpetually stuck re-inventing the wheel.  By comparison, Britain's foreign intelligence apparatus went back all the way to Queen Elizabeth I with probably very little in the way of interruption. The closest thing Germany had to a real intelligence service was the Abwehr, but since their chief, Admiral Canaris, was actively involved in the conspiracy to assassinate Hitler, he wasn't terribly inclined to serve as much of a mentor to Schellenberg. With nothing but proto-James Bond novels for guidance, Schellenberg built his version of a spy service with more emphasis on honey traps and flashy gadgets than on an actual foundation of spycraft. To show off his incredible amateurishness, Schellenberg's great pride was his desk, which he had equipped with hidden guns aimed out the front which he could fire with the touch of a button.

There is an old saying about people rising to their level of incompetence. For Schellenberg, it came in the aftermath of the failed, July 20, 1944 assassination attempt on Hitler. Having been discovered among the conspirators, Canaris was arrested, and eventually executed, and the Abwehr and all the other German foreign intelligence agencies were rolled up, combined and put under Schellenberg's control.

With all the information he now had access to, Schellenberg ought to have seen the writing on the wall and correctly concluded that Germany's situation was now hopeless and that the only possible course of action was unconditional surrender. But Schellenberg was an incorrigible optimist, not a good quality for an intelligence officer. Despite everything, he remained convinced not only that the West would be willing to effect a separate peace with Germany and join with them against the Soviets, but possibly, most ridiculous of all, Schellenberg believed they would accept Reichsfuhrer SS Heinrich Himmler as an ally and partner in a new Grand Alliance. Even though Schellenberg was himself quite aware of  Himmler's role carrying out the wholescale murder of millions of Jews, Slavs, Gypsies and others, he still assumed Eisenhower and the other Western leaders would blithely overlook it all in the interests of defeating the Soviets.

But perhaps, craziest of all was believing that his boss, Heinrich Himmler, was capable of standing up to Hitler, let alone moving against him. The fact was that, despite his cold efficiency and utter remorselessness in carrying out Hitler's orders, Himmler was completely incapable of acting on his own. With Himmler, as with many of the top Nazis, there was an odd sort of anti-darwinism in play.  He became one of the most powerful men in Europe largely because he never once made any decisions on his own.

The Nazis believed in the Law of the Jungle and to them, the "Fuhrer-Prinzip" was an extension of this natural law. They accepted its harshness, and though they would never discuss it, there was an implicit understanding that even a supremely great leader like Adolf Hitler would ultimately get replaced, the same way any lion-king would have to give way to a younger, more powerful successor.  Hitler might have initially led Germany to many great victories, but now the victories had all turned to disaster and he'd shown he was incapable of doing anything to stop it.  Being the one with the most power, it was now Himmler's time to step to the fore and take over. But even if Himmler did have the power, he didn't have the will.

It went on like this until late April, 1945, when the Red Army was just hours from closing the ring on Berlin. Only then did Himmler make his move. On the last commercial flight into Berlin from Stockholm, Schellenberg brought down their longtime intermediary, Count Folke Bernadotte, the head of the Swedish Red Cross, along with Norbert Masur, from the World Jewish Congress. After promising to Masur that no more Jews would be harmed or moved, Himmler extended his hand to Masur, declaring that he was now taking charge and that it was time for the SS and the Jews to "bury the hatchet."   Masur did as he was asked, and soon after that they returned to Stockholm.  Bernadotte immediately sent word to Western intelligence that Himmler would be taking over from Hitler and that negotiations could now finally begin.

With Hitler stuck in Berlin, all but dead, and the war all but over, Himmler and Schellenberg settled down in Luebeck, a small city in northern Germany, and while they waited for Eisenhower to get back with them, they began happily planning their role in what would soon be a new world order. In a way, it must have been a wonderful time. Each day saw visits from former Nazi bigwigs that had managed to get out of Berlin, now angling for top jobs in Himmler's administration. Schellenberg had convinced Himmler that it was just a matter of time before he would be accepted by Eisenhower as a key new ally. Himmler liked the way that sounded. It all seemed so nice, that Schellenberg probably was believing it himself.

The problem was, Himmler kept his coup a secret and Hitler only learned about it a week later, when word of it got publicly announced at the United Nations conference in San Francisco. Hitler, who at that point was already on the verge of blowing his brains out, held off just long enough to denounce the treachery of the man he'd always called his "Faithful Heinrich," and strip him of all offices, ranks and party membership. To stick the knife deeper, Hitler then named Grand Admiral Karl Doenitz, head of the Navy, as his successor, and having done that, went ahead and committed suicide.

Thus began Heinrich Himmler's steep decline and fall. That night Doenitz took the unprecenteded step of ordering Himmler to his headquarters in Ploen, in Northern Germany, where he bluntly informed him that he, not Himmler, was the new head of state, and even if they did not know at that moment whether Hitler was dead or alive, Himmler would be following Doenitz' orders.  Himmler was shocked, but even so, recovered quickly enough to ask the Grand Admiral to make him the "Second Man" in his government.  Doenitz coldly responded that this would not be the case, since, as he explained, he planned on setting up a government that was less overtly political in nature.  The real reason was that Doenitz, as a soldier, could not countenance Himmler's duplicity. He'd witnessed it first hand,  having had to visit the Reichsfuhrer's headquarters twice earlier that day. Doenitz also didn't bother raising the question of Hitler's firing of Himmler, figuring he'd cross that bridge later.

The next day, at the behest of Schellenberg, Himmler returned to Doenitz' headquarters in a last desperate attempt to wheedle a post in the new administration. This time Schellenberg went with him, along with the current Finance Minister, Schwerin von Krosigk. Von Krosigk had been a Rhodes Scholar in Oxford thirty-five years earlier and even though he had not been in England or anywhere abroad since, they touted him as a foreign affairs expert. Over lunch, Doenitz rejected Himmler's entreaties, though he did make Schwerin von Krosigk his foreign minister.  A couple days later Himmler received official notification that he had been removed from all offices. By then he had gone from one of the most powerful men in Europe into a kind of living ghost. For the next three weeks he drifted about. His empire evaporated around him until it was just a small handful of followers.  Schellenberg, it appears, was not among them.

Schellenberg also became a ghost, although of a much different sort. While the history books do tell us that Doenitz made Schwerin von Krosigk his Foreign Minister at the same time that he told Himmler to take a hike, they leave out Schellenberg, who was also at the meeting. Officially, nothing happened. Nothing in the official records of the Doenitz Government indicates he was given any kind of post. But one extremely controversial writer, forensic doctor and historian Hugh Thomas, alleges that Schellenberg was then provided with a diplomatic passport, the first issued by the Doenitz regime. He then traveled to Stockholm where he met again with Bernadotte and it was further alleged, British Intelligence officers, including Anthony Blunt, who, years later, was revealed to be a Soviet mole.

It's not known when it finally dawned on Schellenberg that the talks he'd been having with Allied representatives and intermediaries were not going to actually come to anything. One of the last images he presents in his memoir, The Labyrinth, was of leaving Stockholm and arriving in Copenhagen, where the Danes, mistaking him for one of the liberators, greeted his car with joyousness. If he ever reported back to Doenitz, who'd set up his short-lived government at the naval academy in Flensburg on the Danish border, no one knows. But if he did, he didn't stick around very long.

What had probably happened during his lunchtime meeting with Doenitz, was that Schellenberg painted a version of the same optimistic picture he'd been painting for Himmler. He probably insisted that the Western Allies would be agreeable to a peace deal, especially since the negotiations, which were already underway, were going so well. Of course these were the same negotiations, which, Himmler had insisted only the day before, were nothing but a piece of Allied disinformation. Once it became clear to Doenitz that the peace talks actually did exist and that they were making solid progress, he probably gave Schellenberg permission to go back to Stockholm and continue them. Doenitz was the first to admit, he knew nothing whatsoever about international politics. Since Schellenberg had been the Reich's top foreign intelligence official, he assumed he must know what he was talking about.

Of course the actual fact was, despite everybody's claims to the contrary and otherwise, the peacetalks had never actually started. The Western Allies weren't interested in discussing anything with the Germans other than an unconditonal surrender, which is what Doenitz ultimately found out when he sent delegations, first to British Field Marshal Bernard Law Montgomery in Luneburg, then to Eisenhower in Rheims and finally to the Russians in Berlin. He probably had little interest in hearing what Germany's spymaster had to say after that.

When Doenitz's pathetic little government finally got arrested and rolled up on May 23, 1945, Schellenberg was in Denmark. It wasn't until sometime in June that he finally got tracked down and taken into custody. It was the British that took him prisoner and, interestingly, they would not let the Americans talk to him for a long time, which has led some to suspect that British discussions with the the SS leadership were far more extensive than the British have ever acknowledged.  The one American intelligence officer who did interview Schellenberg was a onetime Hollywood actor named Horace L. Hahn.

Schellenberg's postwar career wasn't much to speak of. He cooperated with Allied prosecutors and testified against various top Nazis at the Nuremberg War Crimes trials and was himself sentenced to six years imprisonment.  He was let out early for health reasons.  He managed to write his memoirs, which were extremely interesting without being overly frank or confessional. It has been continually in print over the years. He died in 1952, soon after completing it.  He had contracted some mysterious liver ailment, which many suspected might have been the result of an exotic poison which he'd been given. Although he was only 42 when he died, by all accounts he looked like a very old man.

But what died was only Schellenberg the man. As long as Nazi Germany continues as a subject for spy fiction and thrillers, Schellenberg the fictional spymaster and worthy enemy will probably outlive us all.

Walter Schellenberg is also a major character in my novel Germania (first published by Simon & Schuster in 2008, now also available on Kindle here).